Sunday, 23 December 2012
Cheap Flights Hotels - The Best Way to Practice Your Instrument
But often feel that their progress doesn't reflect the time they've put
into it, many students waste valuable time trying to get their music to
sound right. It's that they aren't
practicing correctly, the biggest reason why some students make such slow progress on
their instrument is not that they aren't practicing enough; believe it or not.
And that is the error! And continues on from that spot, he then fixes that note. He stops because he
hears something wrong. It happens this way:
the student plays through the music until a mistake is made. The main culprit with bad practicing is the reinforcing of errors. You might actually be worse off after a bad
"practicing session" than if you were to keep the instrument closed and in its case, in that regard. And actually making it more likely that you'll
make those errors again, it often
means that you are reinforcing errors, bad practicing doesn't just mean that you are not solving your problems.
And program into your fingers
how to get to the next note, slow things way down, you
need to go back several notes, when you make a mistake. Whatever your brain told you
regarding getting to that note was the actual error, so if you make a mistake. Usually
by three or four notes, our brains are always thinking ahead. The error really happened
on the note or two before the mistake, this is what's really happening: when a mistake is made.
Students with bad practicing technique actually spend more
time trying to undo mistakes caused by bad practicing technique than they do any
other kind of mistake. And actually
making things worse, you are only reinforcing the error, but if all you do is fix the note that you heard being played
incorrectly and then move on. It will sometimes surprise you how far back you
need to go to solve it, when you fix errors in this way.
As well as some other hints
that will allow you to use your time more efficiently: so here's a summing-up of what you should be doing,
Then
slowly increase tempo. Deliberately and slowly placing the fingers until the trouble is worked out, do this several times. And play through the trouble-spot at half the tempo, go back a few
notes, when you make a mistake. 1- Don't just "play through" your music.
Where constant playing can be tiring, especially if you play a brass instrument, do the fingerings while singing through the music. 2- Do some silent practice.
And will greatly discipline your use of
practice time, the metronome will keep your tempo steady. A metronome will not result in an unmusical performance. 3- Use a metronome.
But try
to practice six out of every seven days, you need a break, once in a while. You will begin to lose the fine muscle-control
you've been developing by skipping days. 4- Play your instrument every day.
You'll reap the benefits almost right away. And record and listen to
yourself at least once a week, practice every day. Diligence is the key. And then go back
to practicing, think of the ways you want to improve, instead of
getting down on yourself. Try to listen critically but constructively. But
don't let it discourage you, the first time you hear yourself playing on tape is usually a negative experience! And play, set up a good microphone, get a digital or tape recorder. The best way to hear yourself the way you truly sound is to
record yourself. It's usually because you are not really aware of
how you really sound, but
you just don't seem to be improving, if your practicing technique seems fine. And that is
the inability to hear oneself objectively, there is another aspect of music performance that holds musicians back.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment